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c. 1445 – May 17, 1510. Italian painter.

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Canaletto
London: Whitehall and the Privy Garden from Richmond House f

ID: 05649

Canaletto London: Whitehall and the Privy Garden from Richmond House f
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Canaletto London: Whitehall and the Privy Garden from Richmond House f


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Canaletto

Italian Rococo Era Painter, 1697-1768 Italian painter, etcher and draughtsman. He was the most distinguished Italian view painter of the 18th century. Apart from ten years spent in England he lived in Venice, and his fame rests above all on his views (vedute) of that city; some of these are purely topographical, others include festivals or ceremonial events. He also painted imaginary views (capriccios), although the demarcation between the real and the invented is never quite clearcut: his imaginary views often include realistically depicted elements, though in unexpected surroundings, and in a sense even his Venetian vedute are imaginary. He never merely re-created reality. He was highly successful with the English, helped in this by the British connoisseur JOSEPH SMITH, whose own large collection of Canaletto works was sold to King George III in 1762. The British Royal Collection has the largest group of his paintings and drawings.  Related Paintings of Canaletto :. | Veduta del Palazzo Ducale | Campo San Rocco bvh | The Grand Canal near the Ponte del Rialto f | Veduta del Canale Grande in Richtung auf den Hafen von San Marco | London: The Thames and the City of London from Richmond House (detail) d |
Related Artists:
Benjamin Patersen
painted Saint Petersburg in 1801
Pietro Graziani
Active in Naples during the first half of the 18th Century
Homer Watson
Canadian Painter, 1855-1936 Canadian painter. The son of a mill-owner, he was born in a region of rural southern Ontario, which he painted throughout his life. In 1874 he moved to Toronto to work at the Notman Photographic Studios; he also spent many hours copying paintings in the Toronto Normal School in order to improve his technique. In 1876 he visited New York, where he was impressed with the carefully composed paintings of the Hudson River school and the rural scenes of George Inness, who encouraged Watson to pursue his career. The following year he returned to Doon to work up his New York sketches into finished paintings. A work of this early period, Landscape with River (1878; Toronto, A.G. Ont.),






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